“Persepolis 1 & 2” by Marjane Satrapi (2003-4) – a fundamental revelation

I am supposed to be busy reading Man Booker shortlist titles and the Classics Club “spin” choice, but have been completely railroaded by a couple of stop-you-in-your-tracks reads.

As a spunky adolescent, Marjane Sartrapi was not one to set store by blindly following the crowds or accepting the status quo without question or investigation. In many ways, she was just your average stroppy but very intelligent teenager defying tradition and knowingly testing the boundaries to see just how far she could get. The added dilemma in her case was that she was growing up in Tehran in the 1970s, where flouting convention had far more serious implications than many of can ever imagine.

The only child of radical thinking and supportive parents, and in fact the great-granddaughter of Iran’s last emperor, Sartrapi waits until she is in her late twenties and based in Europe to recount the story of her childhood and youth – and what an unbelievably remarkable tale she tells.

Her autobiographical graphic novels “The Story of a Childhood” and “The Story of a Return” chart a no-holes-barred depiction of growing up in a civilization coping with the overthrow of the Shah’s régime, the outcome of the Islamic revolution and the devastation of war with Iraq. Book One takes ‘Marji’ from childhood through to her being exiled at fourteen years old and sent to Vienna by parents keen to spare her from the oppression of an ever more restrictive régime, and also concerned that her outspoken nature will get her into serious trouble before too long. The second, darker book covers her years as an immigrant away from home, then ironically feeling like a stranger back in her own country some four years later.

Both books are breathtaking and magical. It is impossible to imagine this story being recounted using any other kind of medium – I was new to graphic novels with this one, and not really sure what to expect before I opened to page one, but “Persepolis” has you hooked from the very first strip.

I think much of the genius behind these books lies in the decision to have this young girl tell her story (“based on my own experiences” rather than strictly autobiographical, as Satrapi specifies in this interview on Youtube) like a diary, using a vocabulary and a humour that ring so true to the voice of a ten year old girl telling it as she sees it. It’s utterly sincere and credible and chilling all at the same time. It’s childlike, yet paints a shockingly bald picture of the constraints in a very timeless way. It also allows Satrapi to have her parents and grandmother pass comment via the perception of the young girl. The portrayal of the role of the maternal granny who has lived through so much and whose opinions are so formative for her granddaughter is one of the most striking and memorable I have come across in a really long time. Her outraged reaction to a certain incident well into the story speaks volumes, and throughout Marjane knows she can count on her to be forthright and wise in the best way older people can be.

And she is very, very funny.  In fact, much of these two books make you laugh out loud. This is mainly due to the comical asides of the author and the expressions she draws with such flair. This wittiness and ultimate desire for optimism also of course makes the darker side of actual events even more excruciating to read.  

Not to mention the whole breadth of human emotions she conveys with just one image: time after time you get a whole scenario encapsulated in half a dozen words with one graphic image. These books are dazzling in their brilliance, historical monuments that should be studied at school and compellingly memorable.

I watched the film a couple of days ago, which deservingly won the Special Jury Prize at Cannes in 2007 and features the voices of Catherine Deneuve and Chiara Mastroianni to boot. It is every bit as good and the illustrations are still constantly bouncing into my head.

So, will now no doubt spend a disproportionate amount of time looking at every dark-haired passerby in the avenues and rues here, hoping to spot that telltale beauty mole and be able to vigorously shake Ms Satrapi’s hand and ooze congratulations. Probably best not, eh. Mind you, I read somewhere recently that she may be on the move from Paris, now that the French are making it harder to smoke in public places. For her, giving up smoking would be like giving up life – and good old granny was a role model even in vice: she lived to the ripe old age of 92, having smoked her entire life. What a pair of rebels, but what a pair of incredible women.

Rating : outstanding, 10/10

Images taken from here and here, here and here and here.
This entry was posted in Book Reviews, Books on the Big Screen and tagged , . Bookmark the permalink.

17 Responses to “Persepolis 1 & 2” by Marjane Satrapi (2003-4) – a fundamental revelation

  1. Pingback: The “Sunday Times 100 Books to Love” list | Literary ramblings etc

  2. Pingback: Reading Challenge from January 2015 | Literary ramblings etc

  3. Caroline B says:

    Ooh, you’ve definitely peaked my interest Nicola-sounds fantastic!

    Liked by 1 person

  4. Great review – you really captured these books. Persepolis was the first graphic novel I ever read (after watching the film) and I totally agree, its the perfect medium for the story. You’ve prompted me to re-read!

    Liked by 1 person

    • I’ve just put the books and the dvd in my 16 year old’s room and know she will get so much from reading the books and watching the film. Am going to revisit regularly just to remind me of how inspiring this woman is – just loved her comment on the Youtube clip where she comments on writing from her personal perspective: ‘I just happen to be a woman’… I missed the film “The Voice” and only realised today that this was her latest venture so might hunt it out now. Don’t suppose you have seen it?


  5. heavenali says:

    Persepolis is the only graphic novel I’ve read. I thought the story was amazing,powerful and very memorable, but I struggled with the tiny print in my edition and as a reader I missed large blocks of text. I did also think the imagery used was superb.

    Liked by 1 person

    • I actually thought while I was crunching up my eyes to read all the text “Must be time to book the optician’s appointment again” – reassuring that am not the only one to find the small print a bit challenging. Some of the expressions she captures are quite fantastic, I totally agree. I am going to read “Fun Home” in a while as it has been picked for a book group read, will be interested to see how that is. Never thought I’d be attracted to graphic novels, but maybe a whole new world awaiting…?


  6. Denise says:

    Great review. I watched the film of this and it was very affecting. Do you remember the airport scene where she left for school? That was very sad. Loved the way all the subtle nuances of her complex situation were captured, as well as the more powerful storylines eg Uncle Anoosh.

    Liked by 1 person

    • Oh gosh Denise – that is exactly one of the scenes that hit the hardest. I almost mentioned it in the text but always want to avoid any “spoilers” as it were. And Uncle Anoosh! and the gently tumbling jasmine leaves from the grandmother’s bosom… So many memorable images. I agree, it is so subtle and she captures moments that we can all relate too even within such a different framework and having such a difficult firsthand experience. x


  7. Love Persepolis – it’s still the only graphic novel I’ve read. The film is excellent too.

    Liked by 1 person

  8. Miss Bunbury says:

    Fantastic review! My sister suggested that I read this book for my book club and I was reluctant but perhaps I should change my mind! The complete Maus is also really good (although you might have already read it!) All the best! 🙂

    Liked by 1 person

    • Thank you – good luck with the blogging and look forward to comparing notes on Elena Ferrante. I have added Maus to my Wish List, thanks so much for the recommendation as I have NOT read it (sigh, there is so much I have not read…).


  9. This is the top graphic novel on my TBR list – and you’ve done an excellent job of making me even more eager to read it. I keep on hearing it’s ‘as good as’ Maus, which sets the bar for graphic novels (in my very limited experience).

    Liked by 1 person

  10. Oh I think you are going to love it. I have to get hold of Maus now…


  11. Pingback: “I Am Malala” by Malala Yousafzai (2013) & “Creating Room to Read” by John Wood (2013) – hope springing eternal | Literary ramblings etc

  12. Pingback: Literary Trails II : or “10 reasons to want to instantly decamp to New York”… | Literary ramblings etc

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s